Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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FROMENT, Nicolas
The Raising of Lazarus dh

ID: 06729

FROMENT, Nicolas The Raising of Lazarus dh
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FROMENT, Nicolas The Raising of Lazarus dh


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FROMENT, Nicolas

French Early Renaissance Painter, ca.1430-1485  Related Paintings of FROMENT, Nicolas :. | Benjamin Franklin | Portrait of Count of Vaudreuil | Landscape at Osny | with Oysters | Castine Harbor |
Related Artists:
Wladyslaw Malecki
(1836 in Maslew - 1900 in Szydłowiec) was a Polish painter.
Cornelis Ketel
Flemish (Resident in UK) 1548-1616 Cornelis or Cornelius Ketel (Gouda, 18 March 1548 ?C Amsterdam, 8 August 1616) was a Dutch Mannerist painter, active in Elizabethan London from 1573 to 1581, and in Amsterdam from 1581 to the early 1600s, now known essentially as a portrait-painter, though he was also a poet and orator, and from 1595 began to sculpt as well. According to Ketel's biography, written by his contemporary Karel van Mander, he seems to have wanted to concentrate on the most prestigious of the hierarchy of genres, history painting, which included mythological subjects, but after he left France he is known almost entirely as a portrait-painter. Neither England nor Holland had much demand for large history paintings during his lifetime, and none of Ketel's histories or allegorical paintings are known to have survived intact, although drawings and prints survive. He did however significantly influence the development of the largest type of painting commonly produced in the United Provinces at this period, the civic group portrait
GRECO, El
Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,






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